{"id":352,"date":"2012-09-13T09:08:03","date_gmt":"2012-09-13T09:08:03","guid":{"rendered":"https:\/\/wordpress.tokyojournal.com\/?p=352"},"modified":"2012-09-13T09:08:03","modified_gmt":"2012-09-13T09:08:03","slug":"issues-243","status":"publish","type":"post","link":"https:\/\/wordpress.tokyojournal.com\/?p=352","title":{"rendered":"Issue #243"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n
Issue #243: Spring 2002<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\"\"
yuho furusawa<\/strong><\/span><\/td>\n		\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
sakamoto ryoma<\/strong>
the last samurai<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
yuho furosawa<\/strong>
dance me a tale of genji<\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n
\u00a0<\/td>\n\"\"
tokyo faces<\/strong><\/span><\/td>\n<\/tr>\n
\n
tokyo faces<\/strong>
struck off the map <\/p>\n

free gifts<\/strong>
sake, sake, sake (and books)<\/div>\n<\/td>\n<\/tr>\n

\n
politics<\/strong>
an evil axis of another kind<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\"\"
josiah conder<\/strong><\/span><\/td>\n		\u00a0<\/td>\n<\/tr>\n
loose lips<\/strong>
what the japanese are really saying<\/p>\n

cd reviews<\/strong>
gomez, fatboy slim, pet shop boys, teenage fanclub & jad fair, tsugaru shamisen<\/p>\n

josiah conder<\/strong>
the brit who changed the face of tokyo<\/td>\n<\/tr>\n

\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\"\"
palace on wheels<\/strong><\/span><\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\n
palace on wheels<\/strong>
living like a maharajah
<\/strong>
sky door
<\/strong>gallery interview<\/p><\/div>\n<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\"\"
japan\u2019s poster monster<\/strong><\/span><\/td>\n		\u00a0<\/td>\n<\/tr>\n
portrait<\/strong>
artist natsuko taniguchi

<\/strong>japan\u2019s poster monster<\/strong>
sleeping with a cannibal<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\"\"
sake<\/strong><\/span><\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\n
sake
<\/strong><\/strong>a guide to refined drinking<\/div>\n
events calendar<\/strong>
where do you want to go today?.
<\/strong>
classifieds<\/strong><\/p>\n

book review<\/strong>
samurai sketches<\/div>\n<\/td>\n<\/tr>\n

\n
\u00a0<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\"\"
a beautiful mind<\/strong><\/span><\/td>\n		\u00a0<\/td>\n<\/tr>\n
film reviews<\/strong>
along came a spider, the shipping news,
we were soldiers, a beautiful mind<\/p>\n

sundance film festival<\/strong>
digital film breaks through<\/p>\n

hayao miyazaki<\/strong>
a golden bear in berlin<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n\"\"
sasagin<\/strong><\/span><\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\u00a0<\/td>\n<\/tr>\n
\n
dining
<\/strong>sasagin<\/div>\n
horrorscope<\/strong>
predictions and predilections <\/div>\n<\/td>\n<\/tr>\n
\n
\u00a0<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Issue #243: Spring 2002 \u00a0 yuho furusawa \u00a0 \u00a0 sakamoto ryoma the last samurai \u00a0 yuho furosawa dance me a tale of genji \u00a0 \u00a0 tokyo faces tokyo faces struck off the map free gifts sake, sake, sake (and books) politics an evil axis of another kind \u00a0 \u00a0 josiah conder \u00a0 loose lips what […]<\/p>\n","protected":false},"author":1,"featured_media":312,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-issue"],"_links":{"self":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts\/352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=352"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts\/352\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/media\/312"}],"wp:attachment":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}