{"id":349,"date":"2012-09-13T08:55:59","date_gmt":"2012-09-13T08:55:59","guid":{"rendered":"https:\/\/wordpress.tokyojournal.com\/?p=349"},"modified":"2012-09-13T08:55:59","modified_gmt":"2012-09-13T08:55:59","slug":"issues-245","status":"publish","type":"post","link":"https:\/\/wordpress.tokyojournal.com\/?p=349","title":{"rendered":"Issue #245"},"content":{"rendered":"<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"center\"><span style=\"font-size: 20px;\"><strong>Issue #245: Autumn 2002<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" align=\"center\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"14\" align=\"left\" width=\"37%\"><img decoding=\"async\" class=\" size-full wp-image-342\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/secret.jpg\" alt=\"\" width=\"165\" height=\"175\" border=\"0\" \/> <br \/><strong><span style=\"margin-left: 30px;\">the tokyo daibutsu<\/span><\/strong><\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>the tokyo daibutsu<\/strong><\/td>\n<\/tr>\n<tr>\n<td>tokyo&#8217;s best kept secret<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>tomisaburo kuraba<\/strong><\/td>\n<\/tr>\n<tr>\n<td>madame butterfly&#8217;s tragic son<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td> <\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"37%\">\u00a0<\/td>\n<td style=\"padding: 0 0 0 15PX;\" rowspan=\"11\" width=\"66%\"><img decoding=\"async\" class=\" size-full wp-image-343\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/araki.jpg\" alt=\"\" width=\"165\" height=\"165\" border=\"0\" srcset=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/araki.jpg 165w, https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/araki-150x150.jpg 150w\" sizes=\"(max-width: 165px) 100vw, 165px\" \/><br \/><strong><span style=\"margin-left: 70px;\">araki<\/span><\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>politics<\/strong><br \/>my father, the mad airport bomber<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>araki<\/strong><br \/>not just a flash in japan<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"40%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"11\"><img decoding=\"async\" class=\" size-full wp-image-344\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/shino.jpg\" alt=\"\" width=\"165\" height=\"165\" border=\"0\" srcset=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/shino.jpg 165w, https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/shino-150x150.jpg 150w\" sizes=\"(max-width: 165px) 100vw, 165px\" \/><br \/><strong><span style=\"margin-left: 30px;\">yoshida shoin<\/span><\/strong><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>free gift<\/strong><\/td>\n<\/tr>\n<tr>\n<td>\n<p>shrines and temples of kyoto &#8211; an english guide book<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>yoshida shoin<\/strong><\/td>\n<\/tr>\n<tr>\n<td>the archetype of japanese revolutionaries<\/p>\n<p> <strong>loose lips<\/strong><br \/> what the japanese are really saying<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"40%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td style=\"padding: 0 0 0 15PX;\" rowspan=\"8\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-345\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/geisha.jpg\" alt=\"\" width=\"170\" height=\"170\" border=\"0\" srcset=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/geisha.jpg 170w, https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/geisha-150x150.jpg 150w\" sizes=\"(max-width: 170px) 100vw, 170px\" \/><br \/> <strong><span style=\"margin-left: 60px;\">geisha<\/span><\/strong><\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>tokyo faces<\/strong><br \/>sumidagawa &#8211; the black river<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>geisha<\/strong><br \/>peek-a-boo<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"37%\">\u00a0<\/td>\n<td width=\"63%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"11\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-346\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/hara.jpg\" alt=\"\" width=\"175\" height=\"250\" border=\"0\" \/><br \/><strong><span style=\"margin-left: 50px;\">hara museum<\/span><\/strong><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>hara museum<\/strong><br \/>interview with yoko nakamura<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<p><strong>cd reviews<\/strong><br \/>dj krush, morcheeba<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"40%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td style=\"padding: 0 0 0 15PX;\" rowspan=\"8\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-347\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/sinden.jpg\" alt=\"\" width=\"165\" height=\"130\" border=\"0\" \/><br \/> <strong><span style=\"margin-left: 50px;\">sin den<\/span><\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>film reviews<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">angel eyes, city by the sea,<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">curse of the jade scorpion,<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">the last castle,<br \/> the count of monte cristo, unfaithful<\/p>\n<p> <strong>sin den<\/strong><br \/> naughty but nice!<\/p>\n<p> <strong>classifieds<\/strong>  <\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"40%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"11\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-348\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/fuji.jpg\" alt=\"\" width=\"175\" height=\"240\" border=\"0\" \/><br \/><strong><span style=\"margin-left: 50px;\">fuji rock fest<\/span><\/strong><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>events calendar<\/strong><\/td>\n<\/tr>\n<tr>\n<td>\n<p>where do you want to go today?<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>fuji rock fest<\/strong><\/td>\n<\/tr>\n<tr>\n<td>tj&#8217;s traditional review<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table border=\"0\" width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"40%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td style=\"padding: 0 0 0 15PX;\" rowspan=\"8\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-315\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/book.jpg\" alt=\"\" width=\"190\" height=\"144\" border=\"0\" \/><br \/> <strong><span style=\"margin-left: 50px;\">by the book<\/span><\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>by the book<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">traveling kyoto and nikko<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>horrorscope<\/strong><br \/> predictions and predilections<\/p><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Issue #245: Autumn 2002 \u00a0 the tokyo daibutsu \u00a0 \u00a0 \u00a0 \u00a0 the tokyo daibutsu tokyo&#8217;s best kept secret \u00a0 \u00a0 tomisaburo kuraba madame butterfly&#8217;s tragic son \u00a0 \u00a0 \u00a0 \u00a0 araki \u00a0 politicsmy father, the mad airport bomber \u00a0 \u00a0 arakinot just a flash in japan \u00a0 \u00a0 \u00a0 yoshida shoin \u00a0 \u00a0 \u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":342,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-349","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-issue"],"_links":{"self":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts\/349","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=349"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts\/349\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/media\/342"}],"wp:attachment":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=349"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=349"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=349"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}