{"id":332,"date":"2012-09-13T06:37:44","date_gmt":"2012-09-13T06:37:44","guid":{"rendered":"https:\/\/wordpress.tokyojournal.com\/?p=332"},"modified":"2012-09-13T06:37:44","modified_gmt":"2012-09-13T06:37:44","slug":"issue-266","status":"publish","type":"post","link":"https:\/\/wordpress.tokyojournal.com\/?p=332","title":{"rendered":"Issue #266"},"content":{"rendered":"<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"center\"><span style=\"font-size: 20px;\"><strong>Issue #266: Spring 2009<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" align=\"center\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"14\" align=\"left\" width=\"37%\"><img fetchpriority=\"high\" decoding=\"async\" class=\" size-full wp-image-312\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/a.jpg\" border=\"0\" width=\"190\" height=\"275\" \/><\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Editorial<\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>Did Otzi gorge on eggs?<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>All Wrapped Up<\/strong><\/td>\n<\/tr>\n<tr>\n<td>The Japanese art of wrapping<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Kumano Kodo <\/strong><\/td>\n<\/tr>\n<tr>\n<td>Pilgrimage into Japan\u2019s spiritual heartland<\/p>\n<p> <strong>The Big Pitch<\/strong><br \/> Former Tokyo standout having a ball<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"37%\">\u00a0<\/td>\n<td style=\"padding: 0 0 0 15PX;\" rowspan=\"11\" width=\"66%\"><img decoding=\"async\" class=\" size-full wp-image-313\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/b.jpg\" border=\"0\" width=\"190\" height=\"271\" \/><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>Filming Abroad<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Zainichi Korean is seriously tripping<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>Silent Comedy<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Japanese mime duo takes country by storm<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>History of the Metacity<\/strong><br \/> Tokyo: A book review<\/p>\n<p> <strong>The Milk Run<\/strong><br \/> Illusionary velocity<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"40%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"11\"><img decoding=\"async\" class=\" size-full wp-image-310\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/c.jpg\" border=\"0\" width=\"190\" height=\"219\" \/><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>The Okinawa Effect<\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>Living healthy, living longer<\/td>\n<\/tr>\n<tr>\n<td>\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td><strong>The Ikebana Rebel<\/strong><br \/> Freestyle flower arranging<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Confessions of a Fraudster<\/strong><br \/> Scamming the gullible<\/p>\n<p> <strong>Tenshin Shoden Katori Shinto-ryu <\/strong><br \/> The cutting edge of swordmanship<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"40%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td style=\"padding: 0 0 0 15PX;\" rowspan=\"8\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-309\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/d.jpg\" border=\"0\" width=\"190\" height=\"171\" \/><br \/> <strong><\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong><em>kaleidoskope<\/em><\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Japanese movie reviews<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Yatterman, Rain Fall, Buy a Suit, Goemon<br \/> Free Gifts<br \/> It doesn\u2019t get more free than this<\/p><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Issue #266: Spring 2009 \u00a0 \u00a0 \u00a0 Editorial \u00a0 Did Otzi gorge on eggs? \u00a0 \u00a0 All Wrapped Up The Japanese art of wrapping \u00a0 \u00a0 Kumano Kodo Pilgrimage into Japan\u2019s spiritual heartland The Big Pitch Former Tokyo standout having a ball \u00a0 \u00a0 \u00a0 Filming Abroad Zainichi Korean is seriously tripping \u00a0 \u00a0 Silent [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":312,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-332","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-issue"],"_links":{"self":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts\/332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=332"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts\/332\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/media\/312"}],"wp:attachment":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}