{"id":324,"date":"2012-09-12T12:52:20","date_gmt":"2012-09-12T12:52:20","guid":{"rendered":"https:\/\/wordpress.tokyojournal.com\/?p=324"},"modified":"2012-09-12T12:52:20","modified_gmt":"2012-09-12T12:52:20","slug":"issues-258","status":"publish","type":"post","link":"https:\/\/wordpress.tokyojournal.com\/?p=324","title":{"rendered":"Issues #258"},"content":{"rendered":"<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"center\"><span style=\"font-size: 20px;\"><strong>Issue #258: Winter 2006<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" align=\"center\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"14\" align=\"left\" width=\"34%\"><img decoding=\"async\" class=\" size-full wp-image-294\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/c1.jpg\" border=\"0\" width=\"185\" height=\"185\" \/><\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Editorial<\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>The Belly of an Architect<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Toyo Ito finding inspiration in a \u2018loose<\/td>\n<\/tr>\n<tr>\n<td>condition\u2019<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Japan\u2019s Crystal Winter<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Musings and art inspired by the coldest<\/td>\n<\/tr>\n<tr>\n<td>season<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"34%\">\u00a0<\/td>\n<td style=\"padding: 0 0 0 15PX;\" rowspan=\"11\" width=\"66%\"><img decoding=\"async\" class=\" size-full wp-image-295\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/c2.jpg\" border=\"0\" width=\"185\" height=\"185\" \/><\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>Homes of the Homeless<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">How Tokyo\u2019s homeless make the\u00a0\u00a0 best of a<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">bad situation<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>Christmas Message<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">From the archbishop of Tokyo<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>Roppongi Area Focus<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">The ever changing heart of an ever<br \/> changing city<\/p>\n<p> <strong>Tokyo Landmark<\/strong><br \/> The Tokyo Tower<\/p>\n<p> <strong>The Noppon Brothers<\/strong><br \/> Tokyo Tower\u2019s terrible twins<\/p>\n<p> <strong>Bar Bourbon Stree<\/strong>t<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\n<div align=\"left\">\n<p>\u00a0<\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"34%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"11\"><img decoding=\"async\" class=\" size-full wp-image-296\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/c3.jpg\" border=\"0\" width=\"185\" height=\"140\" \/><\/td>\n<td><strong>Comfort in the City<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Takanawa Executive Suite Apartments<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Freemasonry in Japan <\/strong><\/td>\n<\/tr>\n<tr>\n<td>\n<p>The mysterious \u2018craft\u2019 divulge a few secrets<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Beijing Spring?<\/strong><\/td>\n<\/tr>\n<tr>\n<td>China\u2019s revolutionary art ghetto<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Season\u2019s Greetings from Kim Jong II<\/strong><\/td>\n<\/tr>\n<tr>\n<td>What North Korea\u2019s colorful dictator is <br \/> really playing at<\/p>\n<p> <strong>Summer Film Festivals<\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"34%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>kaleidoscope<\/strong><\/div>\n<\/td>\n<td style=\"padding: 0 0 0 15PX;\" rowspan=\"8\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-297\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/c4.jpg\" border=\"0\" width=\"185\" height=\"262\" \/><\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>Film<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Faces of a fig tree (Ichijiku no kao)<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Paprika<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Conversations with Other Women<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Murder of the Inugami Clan<br \/> Love and Honor \/ Bushi no ichibun<br \/> Abduction: The Megumi Yokota Story<\/p>\n<p> <strong>Classifieds<\/strong><\/p>\n<p> <strong>Horrorscope + Free Gifts<\/strong><\/p>\n<p> <strong>Events<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td><strong><span style=\"margin-left: 40px;\">tokyo kaleidoscope<\/span><\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Issue #258: Winter 2006 \u00a0 \u00a0 \u00a0 Editorial \u00a0 The Belly of an Architect Toyo Ito finding inspiration in a \u2018loose condition\u2019 \u00a0 Japan\u2019s Crystal Winter Musings and art inspired by the coldest season \u00a0 \u00a0 \u00a0 \u00a0 Homes of the Homeless How Tokyo\u2019s homeless make the\u00a0\u00a0 best of a bad situation \u00a0 Christmas Message [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":294,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-issue"],"_links":{"self":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts\/324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=324"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts\/324\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/media\/294"}],"wp:attachment":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}