{"id":308,"date":"2012-09-12T10:10:47","date_gmt":"2012-09-12T10:10:47","guid":{"rendered":"https:\/\/wordpress.tokyojournal.com\/?p=308"},"modified":"2012-09-12T10:10:47","modified_gmt":"2012-09-12T10:10:47","slug":"issues-254","status":"publish","type":"post","link":"https:\/\/wordpress.tokyojournal.com\/?p=308","title":{"rendered":"Issues #254"},"content":{"rendered":"<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td colspan=\"2\" align=\"center\"><span style=\"font-size: 20px;\"><strong>Issue #254: Autumn 2005<\/strong><\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" align=\"center\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"14\" align=\"left\" width=\"34%\"><img fetchpriority=\"high\" decoding=\"async\" class=\" size-full wp-image-294\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/c1.jpg\" border=\"0\" width=\"175\" height=\"300\" \/><\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Editorial<\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>An Old Man and the Sea<\/strong><\/td>\n<\/tr>\n<tr>\n<td>minoru saito sets solo<\/td>\n<\/tr>\n<tr>\n<td>circumnavigation record at 71<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Tokyo Journal<\/strong><\/td>\n<\/tr>\n<tr>\n<td>retrospective<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Loose Lips<\/strong><\/td>\n<\/tr>\n<tr>\n<td>what the japanese are saying<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"34%\">\u00a0<\/td>\n<td style=\"padding: 0 0 0 15PX;\" rowspan=\"11\" width=\"66%\"><img decoding=\"async\" class=\" size-full wp-image-295\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/c2.jpg\" border=\"0\" width=\"175\" height=\"200\" \/><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>In a Tokyo Garden<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><a href=\"index.php\/component\/content\/article?id=240&amp;ItemId=504\" style=\"color: blue;\"><strong>Takafumi Horie, CEO<\/strong><\/a><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\">\u00a0<a href=\"index.php\/component\/content\/article?id=240&amp;ItemId=504\" style=\"color: blue;\">tokyojournal exclusive interview<\/a><\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">\u00a0<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong><br \/><\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\n<div align=\"left\">\n<p><strong><span style=\"margin-left: 50px;\">Tokyo Garden<\/span><\/strong><\/p>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"34%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td rowspan=\"11\"><img decoding=\"async\" class=\" size-full wp-image-296\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/c3.jpg\" border=\"0\" width=\"175\" height=\"200\" \/><\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Under the Cliff<\/strong><\/td>\n<\/tr>\n<tr>\n<td>old houses and gardens in<\/td>\n<\/tr>\n<tr>\n<td>\n<p>Negishi<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td><strong>Interview with Sunhee Kim<\/strong><\/td>\n<\/tr>\n<tr>\n<td>curator, mori art museum<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table width=\"100%\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"34%\">\u00a0<\/td>\n<td width=\"66%\">\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\"><strong>kaleidoscope<\/strong><\/div>\n<\/td>\n<td style=\"padding: 0 0 0 15PX;\" rowspan=\"8\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-297\" src=\"https:\/\/wordpress.tokyojournal.com\/wp-content\/uploads\/2012\/09\/c4.jpg\" border=\"0\" width=\"180\" height=\"250\" \/><\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">DVD Reviews<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">CD Reviews<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Film<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Pia Film Festival<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Pia Film Festival<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<div align=\"right\">Boom Town<br \/>On Conceptual Clothing<br \/> Classifieds<br \/> Horrorscope + Free Gifts<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td><strong><span style=\"margin-left: 40px;\">tokyo kaleidoscope<\/span><\/strong><\/td>\n<\/tr>\n<tr>\n<td>\u00a0<\/td>\n<td>\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Issue #254: Autumn 2005 \u00a0 \u00a0 Editorial \u00a0 An Old Man and the Sea minoru saito sets solo circumnavigation record at 71 \u00a0 Tokyo Journal retrospective \u00a0 Loose Lips what the japanese are saying \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 In a Tokyo Garden \u00a0 Takafumi Horie, CEO \u00a0tokyojournal exclusive interview \u00a0 \u00a0 \u00a0 Tokyo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":294,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-issue"],"_links":{"self":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts\/308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=308"}],"version-history":[{"count":0,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/posts\/308\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=\/wp\/v2\/media\/294"}],"wp:attachment":[{"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wordpress.tokyojournal.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}